In 1978, this 56-page booklet, the original “notebook” for the Maya Hieroglyphic Writing Workshop at Texas, was handed out to all participants and contained Linda Schele’s detailed transcriptions of selected hieroglyphic tablets from Palenque, Mexico.
This initial gathering, held over a chilly spring break in Austin, was the distant ancestor of the current Maya Meetings and has been held annually ever since.
I hope you will take a little time to read about some of the many exciting developments in Mesoamerican research now happening at The University of Texas at Austin.
Among many other activities, The Mesoamerica Center, housed in the Department of Art and Art History, oversees the planning and operation of two major undertakings: The Maya Meetings and Casa Herrera.
The annual Maya Meetings, now in its 37th year, brings scholars, students, and all types of interested people together to share the latest discoveries in Maya art, archaeology, and decipherment (back in 1978 it was called the “Maya Hieroglyphic Writing Workshop” –see From the Archives). It remains one of the preeminent conferences in Maya studies, and our next meeting will take place in January, here in Austin. We will focus on the theme of sacrifice and ritual and keep you updated on The 2015 Maya Meetings website.
Casa Herrera, our beautiful research and learning center in Antigua, Guatemala, is home to a number of academic programs, seminars, lectures and residential scholars. Casa Herrera will continue to play a key role in forging communication and dialogue between the researchers in Central America and Texas, especially in these times when in-person connections and understanding are so vitally important.
Professors, local instructors, and students from various universities in the United States and Guatemala collaborated at Casa Herrera during June and July for an intensive 6-week program of dynamic language instruction in Kaqchikel and K’iche’.
Dr. Judith Maxwell from Tulane University, along with 6 local Kaqchikel teachers, lead a group of eight students in the Kaqchikel program. Professor Mareike Sattler of Vanderbilt University and Dr. James Mondloch of the University of New Mexico, plus 4 local K’iche’ instructors, worked with a group of eight students in the K’iche’ program. Dr. Sergio Romero from The University of Texas at Austin also provided program support for the K’iche’ group during their three-week stay in Nahualá.
This colloquium provides an overview of contemporary developments in the study and conservation of monumental sites in southern Mexico. Guest presenters are archaeologists from the National Institute of Architecture and History of Mexico, who will discuss the challenges inherent in preservation of some of Mexico's World Heritage sites, such as Monte Albán, Yagul and Mitla.
We are deeply saddened by the passing of Andrea Joyce Stone, Professor Emerita at the University of Wisconsin at Milwaukee. Andrea received her doctorate in the University of Texas’s Department of Art and Art History in 1983 under the tutelage of Linda Schele. She leaves a remarkable legacy in Pre-Columbian art history and in the field of Maya studies.
The Blanton Museum of Art, in partnership with the Department of Art and Art History at the University of Texas at Austin, presents a special selection of objects that illuminate the lifestyle, technological achievements, and ideology of pre-Inka cultures among the coastal Andes of South America. Between Mountains and Sea: Arts of the Ancient Andes features 80 extraordinary works from the University’s collections, ranging from intricately woven textiles to painted ceramic vessels and modeled effigies. Through a dynamic presentation that integrates art historical and anthropological contexts, the exhibition traces the artistic development of the ancient Paracas, Nasca, Wari, Moche, Chancay, Sicán, and Chimú cultures from the Early Horizon (900–200 BCE) through the Late Horizon (1470–1532 CE) periods.
The exhibition has been named a "must see" for Spring 2014 by ART NEWS.
The only shrine ever found dedicated to Mictlantecuhtli, the god of death, has been discovered near the site of Tehuacan.
Archaeologists from Mexico’s National Institute of Anthropology and History have called the fifteenth-century structure, built by the Popoloca people, the Temple of Skulls because on the west and north walls, they found two niches containing four femurs each and human skulls held in place with stucco. Traces of red paint on the mouth of one of the skulls resembles an image of Mictlantecuhtli in the Codex Borgia, and two ceramic heads and an effigy of the god of the dead were found on top of the temple. Remains of human sacrifices were also recovered.
Guatemalan and Spanish archaeologists have discovered the earliest Mayan mural fresco in northern Guatemala, near the Mexican border.
The mural is executed in the painting technique called 'fresco' which involves painting on a freshly laid lime plaster coat before it has dried said Cristina Vidal, Scientific Director of the archaeological site La Blanca, where the painting was discovered.
The Teresa Lozano Long Institute of Latin American Studies is (LLILAS) will be hosting a Mesoamericanist visiting professor for the Spring 2014 semester: Dr. Raquel Padilla Ramos, Lozano Long Visiting Professor.
The Mesomerica Center congratulates Professor and Associate Chair of the Department of Art and Art History Dr. Julia E. Guernsey on winning the prestigious University Co-Op Robert W. Hamilton Book Awards for her work “Sculpture and Social Dynamics in Preclassic Mesoamerica".
The Hamilton Awards are among the highest honors of literary achievement given to published authors at The University of Texas at Austin.
"I am thrilled by this honor, and delighted to share this research recognition with two other colleagues from the College of Fine Arts," Guersey said. "It was a great year for COFA, and a wonderful testament to the quality and diversity of research that takes place within our college."