Archaeologists with the La Corona Regional Archaeological Project in Guatemala announced significant hieroglyphic finds during a press conference at the National Palace in Guatemala City. Dr. David Stuart is La Corona Project main epigrapher, where the maya monument was unearth. Read Dr. Stuart article on the findings.
This summer, Casa Herrera has had the privilege of hosting various academic events, public activities, and student groups! From Study Abroad Program sessions to Mayan Language Institute and archaeological lectures, it's been a summer of great activities at Casa Herrera!
The 2016 Maya Meetings ( January 12-16, 2016) will explore the archaeology and history of the lower RíoPasiónrefion, focusing on istes of seibal, Dos Pilas, Aguateca and others.
Research over several decades has shown this distinctive area to this was a key “hot spot” of turmoil during the Classic period – an area of conflict, alliance-building, and ever-changing political structure. No previous large conference has ever focused on this important area, so the presentations and discussions will be break new ground, weaving together information form archaeological projects old and new.
Following our new format, The Maya Meetings symposium now devotes one day to our special theme and a second day to shorter papers touching on all aspects of Maya archaeology, culture and history. We invite submissions from anyone who is interested in presenting.
In May Prof. David Stuart conducted fieldwork at two archaeological sites in northern Guatemala, helping to document important Maya monuments and sculptures discovered by colleagues from Tulane University.
The Mesoamerica Center is excited to be involved in the production of two important monograph series in the fields of ancient American archaeology and art history, Ancient America and Research Reports on Ancient Maya Writing. Both publications have a long and venerable history in Mesoamerican studies, and have been the source of a number of path-breaking works over the past three decades. Appearing this summer is Ancient America 13, The Fall of the Great Celestial Bird: A Master Myth in Early Classic Central Mexico by Jesper Nielsen and ChristopheHelmke, both of the University of Copenhagen.
The Pre-Columbian Society of Washington, D.C will host Dr. David Stuart for their June feature event. His talk will present a new look at the famous triadic temples of Palenque, Mexico, known as the Cross Group. Using an integrated approach to the architectural complex, Dr. Stuart aims to show how its hieroglyphic inscriptions and iconography worked together to present a tightly interwoven narrative that bridges mythology and history, highlighting the status and ceremonial power of king K’inchKanBahlam, who dedicated the shrine complex early in his reign in 682 A.D.
During the 2015 Spring semester, Professor Jason Urban and Leslie Mutchler accompanied a small group of students from the Department of Art and Art History to take part in Semana Santa by designing and creating an eight by twenty-foot Alfombra, or sawdust carpet for the Holy Week processions.
Throughout this ten-day trip, anchored at Casa Herrera, students heard lectures about Semana Santa, the culture and customs of Guatemala, took field-trips to a textile factory, the Capuchinas Convent, and San Juan Comalapa to see hand-painted murals. This time spent together, away from home and typical American creature comforts allowed our students to form long-lasting friendships and gain valuable cultural perspective.
New Fire is a blog produced by The Mesoamerica Center on current Mesoamerican art and archaeology. This blog will present current archaeology news, projects by graduate students at UT-Austin, and information about resources and projects at the Mesoamerican Center.
The editors of this blog include Elliot Lopez-Finn and Stephanie Strauss, as well as other contributing members of MaGSA, the organization of students at UT-Austin that study Pre-Columbian culture.
This spring, The Mesoamerica Center brought students to Casa Herrera for their study abroad semester for the third year. This satellite campus provides a teaching and research center in the colonial city of Antigua, Guatemala.
The study abroad program is open to all majors and focuses on ancient and contemporary culture in Guatemala and Belize, giving students a fully immersive and interactive experience at ancient Maya sites, national and local museums, archaeological laboratories, and contemporary Maya villages.
The Mesoamerica Center faculty lead for the program, Dr. Astrid Runggaldier, teaches courses in Antigua and oversees the curriculum, field trips, invited speakers, and special projects.
In 1978, this 56-page booklet, the original “notebook” for the Maya Hieroglyphic Writing Workshop at Texas, was handed out to all participants and contained Linda Schele’s detailed transcriptions of selected hieroglyphic tablets from Palenque, Mexico.
This initial gathering, held over a chilly spring break in Austin, was the distant ancestor of the current Maya Meetings and has been held annually ever since.
IHOPE ( Integrated History and Future of People on Earth) is a global network of researchers and research projects using integrative frameworks to combine study human and Earth system history on behalf of our species’ future. IHOPE’s long-term, human-scale perspective unites Earth system science with the social sciences, the humanities, and communities of practice. The IHOPE project office is hosted by Uppsala University in Sweden.
The Lienzo de Quauhquechollan is a pictographic painting on cotton cloth, created circa 1530. The Lienzo is considered the first map of Guatemala.
The Lienzo is also the only firsthand indigenous account of the conquest of Guatemala, and one of the few sources to record the military campaigns of Jorge de Alvarado in 1527–1530. The exhibit of the Lienzo de Quauhquechollan brings to life this untold story of Guatemala's conquest.
The exhibition coincides with the 2013 Maya Meetings and will be on display until March 2013.
A recently discovered cave in the Oaxaca Valley contains several new and exciting examples of Zapotec visual culture, including wonderful over-life-size mud sculptures of human and supernatural figures, rock paintings, and lithics.
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